фільми

At this year’s Cannes Film Festival, “Hope,” the new film by South Korean director Na Hong-jin, sparked a considerable reaction. Known for the crime thrillers “The Chaser” and “The Yellow Sea,” the filmmaker returned with a large-scale monster story that left audiences divided. Although the movie went home without awards, some praised it as an inventive take on creature features, a bold dismantling of familiar genre conventions, and a surprisingly sharp satire. Others criticized its excessive